Blake Lively’s case proves people never believe women, no matter how famous

The myth behind the ‘perfect victim’

Image by: Natalie Viebrock
Public perception swings against Blake Lively.

This article discusses sexual violence and may be triggering for some readers. The Kingston Sexual Assault Centre’s 24-hour crisis and phone line can be reached at 613-544-6424 / 1-800-544-6424. For on campus , community may email [email protected].

There’s no such thing as the “perfect victim.”

If you’ve been on social media at all for the past month, you’ve probably been bombarded with information about the ongoing legal battle between actors Blake Lively and Justin Baldoni concerning their behaviour on the set of It Ends With Us—a film adaptation of Colleen Hoover’s novel about domestic violence.

In December 2024, Lively filed a legal complaint against Baldoni and his production house, Wayfarer Studios, for creating a hostile work environment on set. This was followed by a lawsuit against Baldoni for sexual harassment and emotional distress.

Baldoni then sued the New York Times, who broke the news about Lively’s legal complaint, for libel. Now, in 2025, new information is emerging, with the pendulum of public opinion swaying between believing—and not believing—Lively’s claims.

Multiple people, including many of the cast and crew of It Ends With Us, Hoover, and even Lively’s castmates from The Sisterhood of the Travelling Pants (2005) have publicly ed Lively. Yet, the public’s belief in her claims continues to shift.

This entire situation is reminiscent of the infamous Depp v. Heard trial from 2022, specifically their trial in Virginia, where Johnny Depp sued his ex-wife Amber Heard for libel over an article she wrote about suffering from domestic violence.

At the time, the public was divided, refusing to believe Heard because she didn’t fit the mould of the “perfect victim,” a common myth used to discredit survivors of sexual assault if they don’t fit certain characteristics.

These characteristics include lacking any power or strength in the situation, being involved in a socially acceptable activity during the victimization, being entirely blameless in the interactions, victimized by an unpopular offender, and having no personal relationship with the offender.

In this situation, Lively doesn’t fit the criteria of a “perfect victim.”

For instance, Lively, more famous than Baldoni and having a history of being sharp with interviewers, chose to do a movie with romantic scenes with Baldoni, and Baldoni is publicly celebrated as a “male feminist.”

While there’s no denying her past behaviour has been problematic, none of this changes the fact she could’ve experienced sexual harassment in her workspace. Nor does it negate the fact that Baldoni allegedly created a hostile work environment where Lively was subject to structural misogyny.

Lively’s public perception shouldn’t discredit allegations that Baldoni orchestrated a smear campaign to discredit her and tarnish her reputation. Even if Lively may not seem like a nice person, she isn’t immune to experiencing misogyny and its repercussions.

We’ve built a system where women face difficulty being believed even when they’re drowning in fame and influence. If this can happen to Lively, a white woman in a position of power, imagine what this means for women of colour who may not have access to the same resources.

Lively shared evidence, including texts from Baldoni in which the actor sends a destructive X thread attacking another celebrity to his publicists, stating “this is what we need,” among other messages. These included distributors pushing Lively to make the press tour light-hearted and less focused on domestic violence.

Lively’s evidence, coming straight from Baldoni’s former publicist, shows the actor was aware of what he was doing and was preparing for the possibility of her coming forward. Baldoni seemingly created a campaign to ruin her public image and tarnish her credibility.

Baldoni’s countersuit primarily focused on attacking her character, didn’t dispute her claims of sexual harassment, and provided “context” for a few of those texts.

Yet, judging by the comments on any Instagram post involving the two, Baldoni has regained public online. This backing seems to be growing stronger when excerpts of his lawsuit against Lively are shared, despite most of the excerpts focusing more on attacking her character than on proving Baldoni’s innocence.

It’s time we question the media cycle that builds women up, only to break them down. The fickle, toxic nature of this media cycle allows men like Baldoni and Depp to defame women like Lively and Heard, protect their own image while discrediting theirs, and walk away with a stronger reputation than they had before it all began.

The next time you see a female celebrity being excessively praised in the headlines, only to then have her past controversies unearthed and used against her, ask yourself why this is happening. Ask why the same scrutiny isn’t applied to the men around her, even if they have just as much to be criticized for.

It’s time we break this cycle down. It’s time we start believing survivors. It’s time we start believing women.

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